beyond cultural appropriation

it has to happen: the appreciation for an object of art transcends the cultural appropriation that has come before the object is first seen. in this case, a tomb’s artwork for the Famiglia Appiani at Staglieno (in Genova) has become famous through the use of a photograph by French photographer Bernard Pierre Wolff in Joy…

at Staglieno

unlike the Vanity of Grief that envelops all of Monumentale in Milano, the vanity at Cimitero Monumentale di Staglieno is quite contained. in this sense, Milano‘s Monumentale offers an edge over Genova‘s. this is because the significant statues are confined to the building in Staglieno, with “regular” headstones graveyards dominating the field. in some ways….

the vanity of grief

a second visit to Milano’s Monumentale, and this phrase still rings as the best description. the first visit was 6 hours, until I got kicked out, and this one was still 3 hours. the impact is still there, and unlike appreciating all the statues at a museum like the Louvre. for obvious reasons, despite the…