by fernand de Beauvoir
being in Prague, and commenting to a friend, there is always a “linear description” to the way I see photographically. it’s something like Josef Sudek+ André Kertész+ Saul Leiter, and I want to include a second Czech Photographer: Jaromír Funke. it feels more comfortable to realize this after some years, than start aping them from the naïve beginning. that is, go about photography in a autodidactic way, then realize what’s happening, and study these photographers. to be able to sense their environments is also a very pleasant surprise, despite the distant era.
I have been pursuing a project in Instagram, under Kerteszian, to bring simplicity onto a photograph with a sense from André Kertész‘s The Polaroids. a kind of emotional Haiku in a simple photo, be it made to look like a Polaroid or BW. the main thing is to reduce the visual noise when looking, before a photograph is taken. aside from the simple composition, there is André Kertész‘s use of shadows. while he was more graphic in the use of shadows, as in not necessarily used to obscure or create a negative space, my use is more into the negative space use of the shadow. none of this quite in the dominant language from Saul Leiter, as his negative space seems to be derived from obstructionism of other objects. (I think that both photographers also strive from that emotional Haiku.) however, it seems that in using too much shadow, the photograph (as shown below) goes to some place between André Kertész‘s and Saul Leiter‘s signatures. (NB: this is not an allusion to a similar quality, as that is not the point of my photos, rather to have an incomplete description as “photograph= photographer1 + photographer2 + « je ne sais quoi » “)
alternate version to that posted on Kerteszian Instagram account
[ link ] Kerteszian on Instagram
[ link ] fernand de Beauvoir on Instagram